"Dreaming of a Fairies’ Temple". Artistic Interventions Regarding Festival Theatres Never Built • Salzburg Festival

“Dreaming of a Fairies’ Temple”. Artistic Interventions Regarding Festival Theatres Never Built

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Kapuzinerberg

© SF/Lukas Pilz

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Marco Riebler

© SF/Marco Riebler - Intervention zum Festspielhausprojekt am Kapuzinerberg 1942 und 1943 - Werner Feiersinger am Bild: Norbert Mayr, Margarethe Lasinger und Werner Feiersinger

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Kapuzinerberg

© SF/Lukas Pilz

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn Flöckner Schnöll

© SF/Anne Zeuner

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Hellbrunn

© SF/Anne Zeuner

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Hellbrunn Mayr Flöckner Schnöll

© SF/Anne Zeuner

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Feentempel Mirabellgarten Isa Rosenberger

© SF/Anne Zeuner

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Feentempel Mirabellgarten Isa Rosenberger

© SF/Anne Zeuner

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Feentempel Mirabellgarten Isa Rosenberger

© SF/Anne Zeuner

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Feentempel Mirabellgarten Isa Rosenberger

© SF/Anne Zeuner

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Feentempel Mönchsberg Mayr Stocker Lasinger Rabl-Stadler

© SF/Anne Zeuner

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Esther Stocker

© SF/Anne Zeuner

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Esther Stocker

© SF/Anne Zeuner

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Esther Stocker

© SF/Anne Zeuner

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Press conference Dreaming of a Fairies’ Temple

© SF/Anne Zeuner

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Norbert Mayr, Margarethe Lasinger, Helga Rabl-Stadler, Katharina Blaas-Pratscher

© SF/Anne Zeuner

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Werner Feiersinger, Hermann Schnöll, Maria Flöckner, Esther Stocker, Isa Rosenberger

© SF/Anne Zeuner

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Esther Stocker

This design presents one of three parts of Esther Stocker’s “Three-Part Wrinkle Sculpture”: using selected pages of the brochure published by the Action Committee for the Mozart-Festspielhaus in Salzburg of 1890, magnified multiple times, she shows how the project failed. The “crumpled ideas for designs” - arranged in today’s “natural environment” as a “stage” – deal with order and disorder, systems and the destruction of systems . © Esther Stocker

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The architects Fellner & Helmer (Vienna) aligned the Mozart-Festspielhaus project on Mönchsberg, ...

© Salzburg Museum

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The Mozart-Festspielhaus project on Mönchsberg in 1890 (Atelier Fellner & ...

© Salzburger Festspiele/Linsinger ZT

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Playing with various set pieces of construction, the intervention makes the ...

© Maria Flöckner und Hermann Schnöll, Norbert Mayr

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The cornerstone was laid in 1922 for architect Hans Poelzig‘s (Berlin) final, objectified ...

© Architekturmuseum der Technischen Universität Berlin in der Universitätsbibliothek

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Starting in 1920, the German architect Hans Poelzig (Berlin) created designs for ...

© Salzburg Festival/Linsinger ZT

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Werner Feiersinger

Werner Feiersinger takes Reitter’s plaster model of the 1942 Festspielhaus as the point of departure for his impressive, yet also highly reduced intervention “Panel, 2019-20”. The white-coated cast is placed as if on stage, presented in isolation near the edge of a huge white table within a grove of beech trees on Kapuzinerberg. Otto Reitter’s intended gesture of demonstrating power through a monumental, overwhelming building is here turned on its head. © Werner Feiersinger

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After Adolf Hitler’s intervention, architect Otto Reitter aligned the axis of the ...

© Salzburg Museum

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The construction site would have been within the grounds of the villa at ...

© Salzburger Festspiele/ Linsinger ZT

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Isa Rosenberger

With the intervention „Portal Frame for Mirabellgarten“, Isa Rosenberger recurs to Holzmeister’s considerations regarding the unity of stage and auditorium. The three-part, gold-varnished portal frame presents an abstraction of the backstage portals: the view over Mirabellgarten and the Castle Hohensalzburg is “framed” and the city itself becomes an (open air) stage. © Isa Rosenberger

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Using the glass back wall of the stage, Clemens Holzmeister focused on the ...

© Joseph Gregor, Clemens Holzmeister 1953, S. 42

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Mirabell Orthofoto M1000 ohne PK

© Salzburger Festspiele/Linsinger ZT

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