Source : intermezzo-management.com
Stéphanie d’Oustrac was predestined for music and theater at a very early age. William Christie offered her her first roles. Her repertoire is then undeniably marked by the baroque universe (Medea, Dido and Aeneas, Armide, Alcina, L’Incoronazione di Poppea…).
Thanks to her qualities of diction and interpretation, she quickly became one of the best specialists of the French repertoire (Carmen, Béatrice et Bénédict, Pelléas et Mélisande, L’Heure espagnole, La Voix humaine, Dialogues des Carmélites, Werther, Les Troyens, Mignon…), as well as Mozart (La Clemenza di Tito, Così fan tutte, Idomeneo, Don Giovanni…).
She performs on the most important stages (Opéra National de Paris Scala in Milan, Opernhaus Zurich, La Monnaie, Nationale Opera in Amsterdam, Teatro Real in Madrid as well as at the Aix en Provence and Glyndebourne festivals) and her strong artistic personality seduces the greatest directors and conductors.
Recently, she has taken part in productions of Werther in Monte Carlo, Carmen in Strasbourg and Tokyo, Mignon in Liège, La Périchole at the Opéra Comique, La Voix humaine in Glyndebourne, Armide by Lully in Dijon and Versailles, Dialogues des Carmélites in Munich, Agrippina in Amsterdam, L’Heure espagnole at the Opéra Comique, the Tudor Trilogy in Geneva, L’Orontea by Cesti at La Scala.
Among her future projects: Castor et Pollux at the Opéra National de Paris, I Grotteschi in La Monnaie. Carmen in La Monnaie and at the Opéra National de Paris, Don Quichotte at the Opéra de Lausanne, Dialogues des Carmélites in Dallas.
