Perrine Devillers

The French soprano Perrine Devillers has an especial affinity with music of the Renaissance and the early 17th century, which has led her to perform regularly at European early music festivals in Antwerp, Kraków, Madrid, Regensburg, Saintes, Seville and Utrecht. She sings with ensembles such as Pygmalion, Ensemble Correspondances, Vox Luminis, Le Poème Harmonique and Profeti della Quinta.

In the 2025/26 season she has performed with Alice Julien-Laferrière and her ensemble Artifice at La Folle Journée de Nantes, with Musica Gloria in the Christmas Edition of Early Music Sweden and with Le Poème Harmonique under Vincent Dumestre in Bach’s Magnificat. She has also continued her collaborations with Pygmalion under Raphaël Pichon, with Ensemble Correspondances and Sébastien Daucé and with Vox Luminis under Lionel Meunier. She has toured France and Europe in recital programmes with Ariel Abramovich, Matthieu Boutineau, Arnaud De Pasquale and Elam Rotem.

Her special projects include joint performances with the harpsichordist Elam Rotem, concert programmes of madrigals from the Italian, Spanish and French Renaissance with the lutenist Ariel Abramovich, explorations of virtuoso monodies in Italian from the early 17th century with the organist Matthieu Boutineau and the rediscovery of Sicilian Baroque organ repertory with the pianist Arnaud De Pasquale.

Perrine Devillers’s critically acclaimed discography has won multiple awards, including the Diapason d’Or. Recent recordings include De’ Cavalieri’s Lamentationes Jeremiae Prophetae with Profeti della Quinta; and Monteverdi’s Testamento. Vespro della Madonna 1643 with Le Poème Harmonique and Robert de Visée: Suites à la Mémoire d’un Poète with the theorbist Thibaut Roussel, both released by Château Versailles Spectacles.

Following clarinet and educational science studies, Perrine Devillers took a specialist master’s degree in early music at the Schola Cantorum Basiliensis.