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YOUTH 2012

Die Zauberflöte for Children

Prince Tamino has lost his way in a forest. A giant serpent is after him. Tamino is terribly afraid, and faints. One of the Queen of the Night’s ladies kills the serpent and saves Tamino’s life. When he wakes up to see the bird-catcher Papageno, he is not sure whether he is looking at a man or a bird. Papageno brags about his enormous strength and claims to have throttled the serpent. The Queen’s lady catches him lying …


Opera viva
Active Theatre for Children

The Austrian stage director, musician and author Klaudia Kadlec offers children the opportunity to encounter grand opera in a playful manner. Unlike their parents, the children are not reduced to the role of viewers, but participate actively. With the help of colourful costumes, instruments, through acting and dancing, they approach the famous works of operatic literature – almost like the stars at the big theatre next door. They will be supported in these endeavours by the young stars of the Young Singers Project, who will interpret the virtuoso arias of the opera’s main protagonists during the workshops.


Mojo

Imagine you have never been to the theatre before. Mojo is the perfect performance to start your theatre-going career. If you've already started, don't worry, you can come too.


Family Concert

As part of the concert series Salzburg contemporary, families are also invited to come explore contemporary music. A particularly suitable piece for such an undertaking is Bernd Alois Zimmermann's Rondo popolare, based on the satirical picture story Die fromme Helene by Wilhelm Busch, which the composer set for narrator and small orchestra. In the second part, the focus is on Viennese sayings, in Friedrich Cerha's interpretation of this very special idiom.


All links to Program for Children and Teenagers 2012

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EDITORIAL

From 2008 on, working for and with the younger generation is one of the focal points of the Salzburg Festival program. Everybody complains that parents and schools are failing to educate children and teenagers about and for art. Many lament that the “event” is the only thing that counts these days. Others despair because the so-called “high culture” seems to be aging with its audiences. The Festival, however, will take action. On the one hand, we will actively promote young artists – our most spectacular project is the Young Singers Project. On the other hand, we want to cultivate a new audience. Youth camps, affordable youth tickets, student projects and accompanying events specifically aimed at younger audiences are meant to inspire and develop their joy and understanding of music.

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