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PROGRAMME DETAIL

Gioachino Rossini • Otello

In cooperation with the Zurich Opera House and the Théâtre des Champs-Élysées

Print programme (PDF)

LEADING TEAM

Jean-Christophe Spinosi, Conductor
Moshe Leiser, Patrice Caurier, Directors
Christian Fenouillat, Sets
Agostino Cavalca, Costumes
Christophe Forey, Hans-Rudolf Kunz, Lighting
Gildas Pungier, Chorus Master
Konrad Kuhn, Dramaturgy

CAST

John Osborn, Otello
Cecilia Bartoli, Desdemona
Peter Kálmán, Elmiro
Edgardo Rocha, Rodrigo
Barry Banks, Jago
Liliana Nikiteanu, Emilia
Nicola Pamio, Doge
Ensemble Matheus
Choeur du Théâtre des Champs-Élysées

ABOUT THE PRODUCTION

At the end of 1816, about nine months after Il Barbiere di Siviglia and six weeks before La Cenerentola, Rossini’s opera Otello was given its first performance. It was such an impressive work that it stunned the famous Shakespearean actor Edmund Kean, and even fifty years later scared the great Giuseppe Verdi who was considering to write his own Otello. It is a huge challenge for the soloists – as it includes four difficult tenor roles and is therefore only rarely performed, but it is appropriate here as probably the most interesting representative of the genre “serious Rossini opera.”

Unlike the later version by Verdi and Boito, which follows Shakespeare’s text more precisely, Rossini’s opera can be regarded as authentic to the effect that it treats the plot about love and jealousy as well as dealing with important Venetian themes such as the omnipresent racism, the political dimension – represented by the Doge and state ministers – and even the difficult father-daughter relationship. Desdemona is shown as a self-assured woman who resists the authority of her father and social conventions, and whose tragedy is reflected in the legendary final act with the song of the gondolier, the song of the willow, as well as in her prayer and death.

A rare opportunity to see this very interesting work on stage in a production by Moshe Leiser and Patrice Caurier. Jean-Christophe Spinosi conducts the virtuoso Ensemble Matheus, performing on period instruments to recreate the sound world of Rossini’s time.

Detail from the illustration Rossinissimo, © Jens Rassmus

TICKETS

Tickets for opera and concert performances can be booked online also within the Whitsun 2014 subscription.

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TICKETS

Grosses Festspielhaus (Display seating plan with categories)

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I admit to having cried three times in my life: when my first opera failed, when I heard Paganini playing the violin, and when a turkey stuffed with truffles fell overboard during a picnic on the river.
Gioachino Rossini