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Salzburg 20.16 • Missa Salisburgensis


CLAUDIO MONTEVERDI “Dixit Dominus” (Psalm 110) SV 264 from Selva morale e spirituale, SV 252–288

CLAUDIO MONTEVERDI “Beatus vir” (Psalm 112) SV 268 from Selva morale e spirituale, SV 252–288

CLAUDIO MONTEVERDI Sonata sopra “Sancta Maria Ora pro nobis” SV 206:11  from Vespro della Beata Vergine, SV 206

CLAUDIO MONTEVERDI “Laudate pueri” primo (Psalm 113) SV 270 from Selva morale e spirituale, SV 252-288

CLAUDIO MONTEVERDI “Gloria in excelsis Deo” SV 258 from Selva morale e spirituale, SV 252–288



End of concert approx. 9:15 pm.

Print programme (PDF)


Václav Luks, Conductor
Silvia Frigato, Soprano 1
Miriam Feuersinger, Soprano 1
Barbora Kabátková, Soprano 2
Francesca Cassinari, Soprano 2
Terry Wey, Contralto 1
Kamila Mazalová, Contralto 1
Julia Böhme, Contralto 2
Aneta Petrasová, Contralto 2
Alessio Tosi, Tenor 1
David Hernández, Tenor 1
Václav Čížek, Tenor 2
Robert Buckland, Tenor 2
Stephan MacLeod, Bass 1
Tomáš Král, Bass 1
Lisandro Abadie, Bass 2
Jaromír Nosek, Bass 2
Collegium Vocale 1704
Collegium 1704

Motive Ouverture spirituelle, © Robert Mertens





Supported by Internationale Salzburg Association

Four concerts are dedicated to the celebration of the 200-year anniversary of Salzburg’s affiliation with Austria: they illustrate a heyday of sacred music in Salzburg and illuminate the strong connections between the greatest of the city’s composers. First in the series is the Requiem in C minor by Michael Haydn, premiered in 1771, when the musicians included Leopold and Wolfgang Amadeus Mozart. It was dedicated to Prince-Archbishop Sigismund Schrattenbach, whose protégés also included Anton Cajetan Adlgasser, composer of the beautiful motet Dicite in gentibus. Alongside Michael Haydn, Adlgasser was one of the composers of Die Schuldigkeit des ersten Gebots, the first part of which was the earliest stage work by Mozart, written at the age of 11. Heinrich Ignaz Franz Biber, whose works are featured in the last concert of the series, was one of the most important musicians from Salzburg. His Missa Salisburgensis, composed in 1682 to commemorate the 1100-year anniversary of the Diocese of Salzburg, was conceived in the style of Venetian polyphony in order to impressively highlight the acoustic advantages of Salzburg’s Cathedral – where the first performance took place and where the work returns this summer.

Ronny Dietrich

Translated by Alexa Nieschlag

The concert will be recorded by UNITEL in collaboration with ORF/3sat and the Salzburg Festival and will be broadcasted as follows:
August 20, 10:30 pm on 3sat.