ROBERT SCHUMANN • Allegro B minor Op. 8
ROBERT SCHUMANN • Fantasie in C, Op. 17
FRÉDÉRIC CHOPIN • Ballade No. 3 in A flat, Op. 47
FRÉDÉRIC CHOPIN • Ballade No. 3 F minor, Op. 52
FRÉDÉRIC CHOPIN • Two Nocturnes, Op. 27
No. 1 C sharp Minor
No. 2 D flat
FRÉDÉRIC CHOPIN • Scherzo No. 1 in B minor, Op. 20
The programme opens with
Six Little Piano Pieces, Op. 19
Performed by Maurizio Pollini in memory of Pierre Boulez
End of concert approx. 10:15 pm.
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Motive Recitals, © Robert Mertens
25 August, 20:00
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Grosses Festspielhaus (Display seating plan with categories)
Robert Schumann and Frédéric Chopin: piano works by these two composers of the romantic era form two interwoven leitmotifs in the series of solo recitals, joining programmes by pianists such as Rudolf Buchbinder, Maurizio Pollini, András Schiff, Grigory Sokolov and Arcadi Volodos. Chopin’s momentous Sonata in B-flat minor with its famous funeral march is as indispensable here as Papillons and Carnaval, Schumann’s increasingly enigmatic and allusive cycles of dance and character pieces. Double-entendres and winking innuendo also animate the supposed children’s pieces Children’s Corner and La Boîte à joujoux by Claude Debussy – especially when the enchanting Salzburg Marionette Theatre adds another dimension to András Schiff’s interpretation. In addition, Rudolf Buchbinder, whose curiosity is unflagging even as he celebrates his 70th birthday this year, illuminates the relationship between Haydn and Beethoven. Arcadi Volodos, on the other hand, follows the line from Schubert to Brahms further. When Chopin, however, was asked how he prepared for a concert, his answer was: ‘I lock myself in for fourteen days and play Bach.’ The music of the great Cantor of St. Thomas forms another focus – and also provides the connection with the Ouverture spirituelle. Directly under the cupola of the Kollegienkirche, surrounded by her audience, Isabelle Faust will perform his Partitas and Sonatas BWV 1001 to 1006: central, monumental works of violin literature resounding in the heart of this sacred space. And György Kurtág’s soulful, poetically tender arrangements of Bach chorales for four-hand piano, performed by Dennis Russell Davies and Maki Namekawa, strike the perfect balance between grandeur and intimacy.
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